No one familiar with Gráinne Mulvey would accuse her of taking the path of least resistance. Here, the legacy of John Tyndall (1820-93) – physicist, explorer and author – has inspired a series of works that variously investigate (occasionally interrogate) the instruments and their material to the hard-hitting if absorbing extent found in her output overall […] Performances are as fearlessly committed as this music necessitates, with sound of unsparing definition and immediacy. […] It duly adds up to a fascinating, disconcerting but engrossing listen.
Richard Whitehouse, Gramophone
Mulvey’s work is a wild ride…a fascinating if unsettling listening experience
Lawrence A. Johnson, Chicago Classical Review
…primeval and elemental, yet still vividly communicative for that. The human raw material is used to create an impression of something novel and surreal, conjuring the elemental with great sophistication and verve
Martin O’Leary, New Music Journal
…you know that you’ll always hear beautiful sounds, never merely pretty ones
Michael Karmen, Asymmetry Music Magazine